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・ Lois Duncan
・ Lois Dwight Cole
・ Lois Ehlert
・ Lois Ewell
・ Lois Felix
・ Lois Florreich
・ Lois Foraker
・ Lois Frankel
・ Lois G. Schwoerer
・ Lois Gaston
・ Lois Geary
・ Lois Gibbs
・ Lois Gibson
・ Lois Gladys Leppard
・ Lois Gould
Lois Greenfield
・ Lois Griffin
・ Lois Griffin (politician)
・ Lois Gunden
・ Lois H. Gresh
・ Lois Haggen
・ Lois Haibt
・ Lois Hall
・ Lois Hamilton
・ Lois Hart
・ Lois Herr
・ Lois Hole
・ Lois Hole Centennial Provincial Park
・ Lois Holzman
・ Lois Howe


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Lois Greenfield : ウィキペディア英語版
Lois Greenfield

__NOTOC__
Lois Greenfield (born April 18, 1949) is an American photographer best known for her unique approach to photographing the human form in motion. Born in NYC, she attended Hunter College Elementary School, the Fieldston School, and Brandeis University. She majored in Anthropology and expected to become an ethnographic filmmaker but instead she became a photojournalist for local Boston newspapers. Her career path changed in the mid 1970s when she was assigned to shoot a dress rehearsal for a dance concert.〔"A Moment in Time." Sublime Magazine. Giovanna Dunmall. March 2007.〕 She has since specialized in photographing dancers not in performance, but in her photo studio as part of her exploration of the expressive potential of movement.〔"Suspended in Time: The Imagery of Lois Greenfield." Double Exposure Magazine. Lynn Eodice. February 2006.〕 She has created countless classic images for the world’s most well known dance companies such as Alvin Ailey, Martha Graham, Merce Cunningham, Paul Taylor, Bill T Jones/Arnie Zane, and American Ballet Theatre.〔Lois Greenfield Website. (www.loisgreenfield.com )〕 Her work has been published in countless periodicals, and has been exhibited in museums and galleries around the world.〔"Snap Frozen in a Moment of Flight." Kodak Australia. Jane Albert.〕 Based in New York City, she gives workshops and lectures in schools around the world.〔Hasselblad Reflections Volume 3, Number 1.〕
==Beginning of Career==
In the mid-1970s, Greenfield began what would become avery influential, twenty-year relationship with The Village Voice photographing dance companies reviewed by dance critic Deborah Jowitt for her weekly column.〔"Lois Greenfield Dance Photographs." Deborah Jowitt. 1987.〕 This led to assignments from newspapers and magazines around the world. Around this time she had the opportunity to interview and write about many photographers whom she admired. Among her subjects were Jacques Henri Lartigue, André Kertész, and Duane Michals, who along with photographer Max Waldman were her biggest inspirations.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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